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GINASTERA Estancia: Four Dances, Op.8a | As if being principal percussionist of the Tasmanian Symphony Orchestra weren’t enough, Gary Wain is also a conductor and a composer — and this year, he’s one of National Music Camp’s tutors as well. He’s played Ginastera’s Estancia dances himself a number of times, and understands the challenges and delights of the work.
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WIDMANN Con brio | ‘To make an air sound with a wind instrument is the most natural thing in the world,’ said composer and clarinettist Jörg Widmann. ‘I go on a journey into the most remote places in terms of sound. But I don’t use electronics. So the aura of the sound is always going to be there, even with the most experimental playing techniques.’
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VAUGHAN WILLIAMS Fantasia on a Theme of Thomas Tallis | ‘People just love this work,’ says violist Patricia Pollett, ‘with its combination of the beautiful Tallis theme, the influence of Ravel and use of modal language, all tinged with a strong sense of nostalgia.’ She is discussing Vaughan Williams’ Fantasia on a Theme of Thomas Tallis.
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